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Exclusive interview: Akinola Davies Jr., Rachel Dargavel & Funmbi Ogunbanwo discuss making My Father's Shadow, Nigeria's first Cannes competition film. From L-R: Akinola Davies Jr., Rachel Dargavel, Funmi Ogunbanwo, Wale Davies, and Sope Disiru.  Image: Fatherland Productions Some films announce themselves quietly, arriving without fanfare before lodging themselves somewhere deep and permanent. My Father's Shadow , the debut feature from Nigerian-British filmmaker Akinola Dav

Netflix special proves the comedian wasn't conspiracy theorizing; he was just early Katt Williams  opens his fourth Netflix special, The Last Report , by doing something you don't see enough in comedy these days: acknowledging God. Not as a punchline, not as a setup, but as genuine gratitude. "I'm God's own," he declares early in the hour, and it sets the tone for what becomes a masterclass in truth-telling wrapped in hilarious packaging. Released February 10, "The Last Repor

At 68, The Nollywood Pillar Who Went Pan-African Before Streaming Made It Cool Reflects on Building Distribution Networks Across Three Decades By Sahndra Fon Dufe, Editor-in-Chief | Black Film Wire, Atlanta GA February 4, 2026 Zack Orji|2024 On his 68th birthday, Nollywood veteran Zack Orji is still building.  He is not retiring to retrospectives or tribute galas, but commissioning scripts, directing across borders, and preparing to launch an owned YouTube channel as platform

What the T-Mobile–Netflix deal quietly teaches creatives and media founders about long-term value By Sahndra Fon Dufe , Partnerships Lead SVAFF There’s a reason T-Mobile didn’t bundle Paramount+ or Max; and it’s not because Netflix has better shows; though that’s debatable depending on who you ask and what week it is. The Netflix On Us  program, launched in 2017 and refined through multiple iterations since, represents something far more calculated than a customer perk. It’s

A Black Film Wire Review | Bridgerton Season 4 (Part 1) Back to the opulence, the drama, the dizzying romance, and all the brilliant things we love about the world of Bridgerton. Netflix/Liam Daniel/Netflix It’s been a long week. I’m inundated with work, and I basically scrambled through everything due today just to make room for one thing: hearing Lady Whistledown’s sturdy voice remind me why we fell for Bridgerton in the first place, six years ago, when Shondaland dropped S

Twenty-four years after Halle Berry's historic Oscars win, Black women remain trapped in a ‘supporting role win hole’.  By Sahndra Fon Dufe On March 24, 2002, Halle Berry  became the first Black woman to win the Academy Award for Best Actress. In her tearful acceptance speech for Monster's Ball , she declared the moment was "for every nameless, faceless woman of color that now has a chance because this door tonight has been opened." Twenty-four years later, the door remains o

How Black actors are shaping the conversation in this Awards season.  By Sahndra Fon Dufe The 2026 Actor Awards nominations arrived with a record-breaking seven nods for One Battle After Another , but the real story extends beyond any single film's dominance. Black actors secured five individual nominations across the film categories (two in the TV category), distributed across leading, supporting, and ensemble categories in ways that reveal progress, but also persistent patt

AFCON operates like cinema: recurring characters, inherited rivalries, rising stars, and moments that gain meaning over time. For more than six decades, African football has unfolded as long-form storytelling, where nations perform identity and players become myth. AFCON |  Black Film Wire Why Africa's Biggest Tournament is also its Greatest Story For many in the diaspora international audience, football loyalty often begins and ends with European leagues or global mega-sport

Though it dropped last December, Jade Osiberu's vibrant holiday romance deserves its flowers in a sea of formulaic festive films.

This review discusses major segments, punchlines, historical references, and the special's closing "code word" moment.

In this exclusive interview, Sahndra Fon Dufe shares how Black Film Wire became a leading voice for Black filmmakers across continents in just one year.

Bridgetown, Barbados  – The Diaspora is mostly familiar with Hollywood’s blockbusters kings presented by Marvel and other American studios. We've watched The King's Speech , where a stammering monarch finds his voice to lead a nation through war. We've felt the weight of T'Challa returning to Wakanda to claim his throne in Black Panther . We've laughed as Prince Akeem crossed an ocean to find love in Coming to America  I & II. But on November 11, 2025, something far more prof

92 Films. 32 Countries. 1 Weekend.   October 9–12, 2025 | San Jose. Founder(SVAFF) Chike Nwoffiah honors Souleymane Cisse, October 9–12, 2025 | San Jose  Asha Weal, Rice Media “Original landlords of the planet.” Chike Nwoffiah doesn’t just say it, he means it. The founder and festival director of the Silicon Valley African Film Festival (SVAFF) has spent the last 16 years pulling off what sounds, on paper, like a fever dream: an African film festival thriving in the tech capi

Angela White: The Visionary Expanding the Scope of Global Cinema As June 2025 unfolds, powerhouse producer Angela White  celebrates major milestones: her Pan-African thriller Nine now streams in 45 countries with unexpectedly strong viewership in Australia and the UK, while her faith-based hit A Question of Faith prepares for its Tubi debut seven years after its initial release - proving the enduring power of her storytelling. Angela White has long been a force in the enterta

Post-Event Editorial by Black Film Wire From May 6 to 8, 2025, Los Angeles became a meeting point for visionary creatives, cultural...

Simisola Gbadamosi: The Young Star Taking Animation by Storm Some stars are made, and some are simply born for it. Simisola Gbadamosi fits both descriptions—gracing the screen with talent beyond her years while staying refreshingly humble. At just 13 years old, Simi is making waves as one of Nigeria’s brightest young talents. She stars as the voice of Tola in Iwájú , Disney+’s groundbreaking animated series created by the pan-African British-based Kugali Media in collaboratio

Tyler Perry Launches Dream Collective to Empower Emerging Filmmakers Amid Industry DEI Cutbacks Tyler Perry Studios Inside the Tyler Perry Studios Dream Collective: A Life-Changing Opportunity for Filmmakers Renowned filmmaker and media mogul Tyler Perry is celebrated for his extensive contributions to Georgia's film industry, and he has unveiled the Tyler Perry Studios Dream Collective . This initiative aims to nurture and support emerging talent in the entertainment sector,

From L-R: Richard Mofe-Damijo (RMD), Ayra Starr, and Zackary Momoh  join the star-studded cast of the Children of Blood and Bone adaptation, alongside Viola Davis, Idris Elba, Chiwetel Ejiofor, Cynthia Erivo, Thuso Mbedu, Amandla Stenberg, Damson Idris,  and Tosin Cole . Here's what to know about this game-changing fantasy film! RMD, Ayra Starr, Zackary Momoh Trio Join Cast of Children and Bone. EDITOR’S PICK - Paramount Pictures has officially announced that legendary Nigeri

A TIMINI EGBUSON Conversation with The Black Film Wire (Interview) Timini Egbuson: Nollywood’s Leading Man Redefining Stardom Timini Egbuson has long established himself as one of Nollywood’s most bankable stars, bringing charm, depth, and undeniable screen presence to every role he takes on. With over 71 IMDb-credited films and even more under his belt, including A   Tribe Called Judah,  and Smart Money Woman , among many others, his career trajectory has been nothing short

Tyler Perry’s Six Triple Eight Movie Review By The Black Film Wire. Tyler Perry’s Six Triple Eight  delivers a long-overdue nod to the 6888th Central Postal Directory Battalion, an all-Black, all-female unit that literally saved morale during World War II by ensuring millions of soldiers got their letters. Deployed to Europe in 1945 to clear an avalanche of undelivered mail, these women fought not just the postal backlog but the usual suspects: institutional racism and sexism